![]() ![]() ![]() The cellophane will be ruined and it may also damage the lamp if you're not careful. ![]() If you end up deciding to use colored cellophane and duct tape, keep in mind, that the cellophane will melt if it's placed too close to the modeling lamp as the lamp heats up during the shoot. I personally carry my colorful rolls and duct tape to all my commercial and personal shoots, and my clients and fellow creatives don't care how I do the "color magic" as long as I get them the pretty pictures they are after. Obviously, if your studio is full of expensive lighting equipment and cool photography "toys", and that's how you and your clients like it, you might choose to go for proper color gels and gel frame assembly from your lighting equipment manufacturer. Barn door / Gel frame assembly or a roll of duct tape. ![]() To solve this problem I simply double- or triple-fold it before mounting on the strobe, and, like I said, I am still not even half-way through my rolls.ģ. The density of colored cellophane and color gels sheets may be different and colored cellophane is often very thin, so the resulting colors may be not as vivid. So, not only they are really cheap, they also last for years. Each roll cost me under $5 and I use them in almost every studio photo shoot. I actually only had to purchase them once a long time ago, and I haven't gone through 1/3 of any of my four rolls (yellow, green, red and purple). But I personally use colored cellophane rolls or wrapping paper from hobby and craft stores. You can buy proper photography color gels or filters - they start from as low as $6.99 for a set of four 12-inch color gels online. The strobes and flashes that you already have. Continuous lighting equipment will also work, but you have to be careful and make sure the higher temperature of the lamp doesn't melt the gels, which in turn will damage the light bulb.Ģ. SHOOTING WITH COLOR GELS Equipment that you will needġ. If you have come across this post at a similar time in your photography career, I hope a stream of new ideas and images will pump up your love for photography, inspiration and enthusiasm. Let me offer you a few fun lighting ideas in a series of posts, and I will start with one of my most favorite lighting accessories - color gels. I will also mention how to make each lighting technique execution rather affordable without compromising the quality of the outcome. It's when I'm bored and want to "spice it up", I start searching for new lighting ideas, tricks and techniques. It's usually the desire to entertain myself and experiment that leads me to new personal artistic discoveries. Luminance helps shift between a pastel, light quality to the green or a deep, rich, dark green like the shadows of grass and foliage.But as much as I dislike feeling stuck and repeating myself, I now realize how such times in fact help me to become a better artist and shooter. Hue shifts from a yellowy green to a more aqua green, and saturation makes the color more vibrant or subdued. From here, use the Hue, Saturation and Luminance sliders to modify the quality of the greens in the image. Click Color to access specific color controls and then click on the Green thumbnail to isolate the green tones in the image. To access these tools, look for the HSL/Color heading in the Develop module. Lightroom offers a great set of tools to simply and easily modify the color balance and saturation of an image, including the ability to fine-tune specific colors-like greens in skin. If your green cast isn’t caused by your light source but rather reflected from your surroundings, you’ll have to try repairing it on the computer. In most cases, a quarter gel is plenty, and rarely will a full minus green be necessary. Available in eighth, quarter, half and whole opacities, these magenta-ish gels minimize the green spike and make for more appropriate skin tones. But, when that’s impractical, try gelling the fixture with a minus-green gel. ![]()
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